Female

 
 
reasons+to+be+pretty.jpg

Reasons to Be Pretty

by Neil Labute

CARLY:  I’m very attractive. I am. I’ve always been that way but it’s no great big deal to me—if anything, it’s worked against me for most of my life. (Beat.) It’s about this (Points.) My face. I was born with it, people. That’s all. I have been given this thing to wear around, my features, and I’m stuck with it. And yes, over the years it’s gotten me things, I won’t lie about that, dates and into clubs that I really wanted to get into or smiles from my father . . . but as I got older it suddenly became a kind of, I dunno what, but almost like a problem. A real bother that I don’t have any control over. (Beat.) Listen, I’m not stupid, I know I should be thankful, that I should pray to heaven and be happy that I’m not scarred or missing an ear—I know girls who hate, I mean, despise their noses and mouths or the fact that their eyes are too far out on their faces . . . I don’t have any of those problems and I’m happy about that. I look in the mirror and I see some beautiful woman looking back at me; my worst day, a line or two, a little pale or whatnot, but a really good face in there. Smiling. I’m not saying that I don’t understand how I got lucky in many ways, I do get that, I do, I just want folks to comprehend that beauty comes with a price, just like ugly does. A different one, of course, and I’ll take what I’ve got, but I’ve cried myself to sleep at night because of who I am as well, and you should know that . . . (Beat.) I hope my baby’s OK,—did I mention that we found out it was a little girl? But I really hope she’s no more than pretty, that’s my wish. That she’s not some beauty queen that people can’t stop staring at because I’d hate that for her . . . to be this object, some thing that people can’t help gawking at. ‘Cause if she is— born like I was, is what I’m saying—if she ends up with a face that is some sorta magnet for men, the way I’ve been . . . I’d almost rather it was a situation where she was oblivious to it—not blind or anything, I wouldn’t wish that on her, but close. Some sort of oblivion that gets pasted over her eyes so she can go about life and not be aware that people are cruel in many ways. . . not just with their words but with the ways they look at you and desire you and, and, and . . . almost hate you because of it. (Smiles.) I’m sorry, I didn’t mean to get all heavy or anything, but I do think about it sometimes. My shift at work’s kinda long, you know? It is . . . so I’ve usually got some time on my hands to, you know. . . whatever. Think, I guess.

 
bright room called day.jpg

A Bright Room Called Day

by Tony Kushner

ZILLAH: Dear Mr. President, I know you will never read this letter. I’m fully aware of the fact that letters to you don’t even make it to the White House, that they’re brought to an office building in Maryland where civil-servant types are paid to answer the sane ones. Crazy, hostile letters – like mine – the ones written in crayon on butcher paper, the ones made of letters cut out of magazines – these get sent to the FBI, analyzed, Xeroxed and burned. But I send them anyway, once a day, and do you know why? Because the loathing I pour into these pages is so ripe, so full-to-bursting, that it is my firm belief that anyone touching them will absorb into their hands some of the toxic energy contained therein. This toxin will be passed upwards – it is the nature of bureaucracies to pass things vertically – till eventually, through a network of handshakes, the Under-Secretary of Outrageous Falsehoods will shake hands with the Secretary for Pernicious Behavior under the Cloak of Night, who will, on a weekly basis in Cabinet meetings, shake hands with you before you nod off to sleep. In this way, through osmosis, little droplets of contagion are being rubbed into your leathery flesh every day – in this great country of ours there must be thousands of people who are sending you poisoned post. We wait for the day when all the grams and drams and dollops of detestation will destroy you. We attack from below. Our day will come. You can try to stop me. You can raise the price of stamps again. I’ll continue to write. I’m saving up for a word processor. For me and my cause, money is no object.

Love, Zillah

 
Oleanna.jpg

Oleanna

by David Mamet

CAROL: The issue here is not what I “feel.” It is not my “feelings,” but the feelings of women. And men. Your superiors, who’ve been “polled,” do you see? To whom evidence has been presented, and who have ruled, do you see? Who have weighed the testimony and the evidence, and have ruled, do you see? That you are negligent. That you are guilty, that you are found wanting, and in error; and are not, for the reasons so-told, to be given tenure. That you are to be disciplined. For facts. For facts. Not “alleged,” what is the word? But proved. Do you see? By your own actions. That is what the tenure committee has said. That is what my lawyer said. For what you did in class. For what you did in this office. They’re going to discharge you. As full well they should. You don’t understand? You’re angry? What has led you to this place? Not your sex. Not your race. Not your class. YOUR OWN ACTIONS. And you’re angry. You ask me here. What do you want? You want to “charm” me. You want to “convince” me. You want me to recant. I will not recant. Why should I…? What I say is right. You tell me, you are going to tell me that you have a wife and child. You are going to say that you have a career and that you’ve worked for twenty years for this. Do you know what you’ve worked for? Power. For power. Do you understand? And you sit there, and you tell me stories. About your house, about all the private schools, and about privilege, and how you are entitled. To buy, to spend, to mock, to summon. All your stories. All your silly weak guilt, it’s all about privilege; and you won’t know it. Don’t you see? You worked for twenty years for the right to insult me. And you feel entitled to be paid for it.

 
in+the+next+room.jpg

In The Next Room (Vibrator Play)

by Sarah Ruhl

ELIZABETH: My mother told me to pray each day since I was a little girl, to pray that you borrow everything, everyone you love, from God. That way your heart doesn’t ‘break when you have to give your son, or your mother, or your husband, back to God. I prayed, Jesus, let me be humble. I borrowed my child, I borrowed my husband, I borrowed my own life from you, God. But he felt like mine not like God’s he felt like mine more mine than anything. God must have this huge horrible cabinet – all the babies who get returned – and all those babies inside, they’re all crying even with God Himself to rock them to sleep, still they want their mothers. So when I started to feel something for this baby, for your baby, I thought no, take her back God. When I first met her all I could think was: she is alive and Henry is not. I had all this milk – I wished it would dry up. Just get through the year, I thought. Your milk will dry up and you will forget. The more healthy your baby got, the more dead my baby became. I thought of her like a tick. I thought – fill her up and then pop! You will see the blood of my Henry underneath. But she seemed so grateful for the milk. Sometimes I hated her for it. But she would look at me, she would give me this look – I do not know what to call it if it is not called love. I hope every day you keep her – you keep her closer to you – and you remember the blood that her milk was made from. The blood of my son, my Henry. Good-bye, Mrs. Givings.

 
deep blue.jpg


Danny and the Deep Blue Sea

by John Patrick Shanley

ROBERTA: I can’t stay like I am! I can’t stay in this fuckin head anymore! If I don’t get outta this fuckin head I’m gonna go crazy! I could eat glass! I could put my hand inna fire an watch the fuckin thing burn and I still wouldn’t be outta this fuckin head! What am I gonna do? What? I can’t close my eyes, man. I can’t close my eyes and see the things I see. I’m still in that house! I wouldn’t a believed it but I’m still in that house. He’s there and I’m there. And my kid. Who’s nuts already. It’s like, what could happen now? You know? What else could happen? But somethin’s gotta. I feel like the day’s gonna come when I could just put out my arm and fire and lightning will come outta my hand and burn up everything for a thousand miles! It ain’t right to feel as much as I feel.

 
silver+linings.jpg

Silver Linings Playbook

by David O’ Russell

TIFFANY: Yes. Do you feel that? That’s emotion. Has anybody ever told you how Tommy died? We were married for three years and five days, and I loved him. But for the last couple months, I just wasn’t into sex at all. It just felt like we were so different and I was depressed. Some of that is just me, some of it was he wanted me to have kids and I have a hard enough time taking care of myself. I don’t think that makes me a criminal. Anyway one night after dinner, he drove to Victoria’s Secret at King of Prussia Mall and got some lingerie to get something going. And on the way back, he stopped on 76 to help a guy with a flat tire and he got hit by a car and killed. And the Victoria’s Secret box was still in the front seat. (pause) That’s a feeling.

 
monster.jpg

Monster

By Patty Jenkins

Aileen: You don't know what's going on. I do. So if you wanna keep your eyes shut to the whole world, then the least you can do is hear me out. Now... it's not what you think it is. No, you don't know my life! But I know yours. And I've done everything in the whole wide world hoping you'd never have to know. So, so you could go on thinking that people are good, and kind and that should make sense, you know? 'Cause I love that about you. But I can't. I'm good with the Lord. I'm fine with him. And I know how you were raised, alright? And I know how people fuckin' think out there, and fuck, it's gotta be that way. They've gotta tell you that 'Thou shall not kill' shit and all of that. But that's not the way the world works, Selby. Because I'm out there every fuckin' day living it. Who the fuck knows what God wants? People kill each other every day and for what? Hm? For politics, for religion, and THEY'RE HEROES! No, no... there's a lot of shit I can't do anymore, but killing's not one of them. And letting those fucking bastards go out and rape someone else isn't either! You know me. You think I could do it otherwise? I'm not a bad person, I'm a real good person. Alright? So don't feel bad. It's life. People like you and me go down every fucking day. But not us. Alright? Hey, it's almost over. Look at this... this is everything. Everything you ever wanted. Just a little more and a car and we're outta here. We have a shot, Sel. We have a shot at a real life, not this. A real one.

 
Key+Exchange.jpg

Key Exchange

By Kevin Wade

LISA: When I was very young, my mother got cancer, and it had spread too far by the time they diagnosed it to do anything but let her die. For about six months she lay in the terminal ward at Sloan-Kettering. When she first went in, she told my father that her only wish was to see her family grow up, but that that was impossible, so to kiss her goodbye and leave and don’t hang on for this bumpy ride, as she put it.

But the most important thing in the world to my father that she have her last wish, so he left his job, sold the house, moved us into the city, went through miles of red tape, and arranged for a permit to build a sandbox and swing next to the parking lot outside her window, where she could see us. And every day that summer, and after school and on weekends that fall, he would take me and my brother there, and we would play, and when my brother asked “Why here?”, my father said that Mom was in heaven, but she had a good view of that particular sandbox.

My aunt told me that story when I first started going out with boys. She said, “What your father did for your mother, Lisa that is love. Be smart Lisa. Save your honor for the man who loves you.” It was a long time before I could even give a decent kiss without somewhere asking myself whether or not this guy would stand outside my window for six months while I died.

 
Snakebit.jpg

Snakebit

By David Marshall Grant

JENNIFER: I on’t want to be an actress. I hate acting. I’ve always hated acting. It fills me with nothing but self-loathing. There, I said it. And, you know, you do your affirmations, you know, your prayers, that you’ll be like, you know, so filled with self-love that all that won’t matter. What am I saying? The whole thing’s a joke.

You know why I don’t want to act? And don’t tell Jonathon this. I’ve never told anybody this. I started to stutter. On stage. Can you believe that? Honestly. I would get to a word in the script, and when I came to it, I wouldn’t be able to say it. I would freeze. Every time I would get to it. I couldn’t get it out. I get fixated on a word. Last time, I was playing the blind Mexican flower vendor in Streetcar Named Desire. Don’t ask me why. And all I had to do was say, “Flores para los muertos.” There, I said it now. “Flores para los muertos.” I had nothing else to say, just that. I sat around waiting all night. “Flores para los muertos. Flores para los muertos.” I couldn’t say it. Now I can say it. It’s pathetic. Muertos. I couldn’t say muertos. It wouldn’t come out. I ended up saying, “Flores para los dead people.” Blanche DuBois accused me of sabotaging her performance. All she wanted me to do was to say the line right. That’s what I was not getting paid to do. And Jonathon made me feel so… You know, why don’t I just leave him? I really should just leave him.

 
Spike+Heels.jpg

Spike Heels

By Theresa Rebeck

GEORGIE: I understand you all right. This part, I think I got down solid. But what I don’t have, you know- what I want to know is- if you’re so fucking real, Lydia, then what the hell are you doing here? I mean, if you’re so much better than me, then why even bother? You could just wait it out and I’ll drift away like a piece of paper, like nothing, right? ‘Cause that’s what I am. Nothing. Right? So why the fuck are you up here, taking me apart? What an amazing fucking now job you are all doing on the world. And I bought it! We all buy it. My family- they’re like, all of a sudden I’m Mary Tyler Moore or something. I mean, they live in hell, right, and they spend their whole lives just wishing they were somewhere else, wishing they were rich, or sober, or clean; living on a street with trees, being on some fucking TV show. And I did it. I moved to Boston. I work in a law office, I’m the big success story. And they have no idea what that means. It means I get to hang out with a bunch of lunatics. It means I get to read books that make no sense. It means that instead of getting harassed by jerks at the local bar, now I get harassed by guys in suits. Guys with glasses. Guys who talk nice. Guys in suits. Well, you know what I have to say to all of you? Shame on you. Shame on you for thinking you’re better than the rest of us. And shame on you for being mean to me. Shame on you, Lydia.

 
Proof.jpg

Proof

By David Auburn

CATHERINE: I lived with him. I spent my life with him. I fed him. Talked to him. Tried to listen when he talked. Talked to people who weren’t there . . . Watched him shuffling around like a ghost. A very smelly ghost. He was filthy. I had to make sure he bathed. My own father . . .

After my mother died it was just me here. I tried to keep him happy no matter what idiotic project he was doing. He used to read all day. He kept demanding more and more books. I took them out of the library by the carload. We had hundreds upstairs. Then I realized he wasn’t reading: he believed aliens were sending him messages through the Dewey decimal numbers on the library books. He was trying to work out the code . . .

Beautiful mathematics. The most elegant proofs, perfect proofs, proofs like music . . . Plus fashion tips, knock-knock jokes – I mean it was nuts, OK? Later the writing phase: scribbling nineteen, twenty hours a day . . . I ordered him a case of notebooks and he used every one. I dropped out of school . . . I’m glad he’s dead.